ARS NOTORIA

Sunday, February 21

SARDINE BURIED WITH FULL HONOURS WHILE PGO SWORDFISH SWIMS ON


SANTA CRUZ DE TENERIFE, Friday February 19 2010
CHICHARREROS filled the streets of Santa Cruz on Friday for the funeral of a giant sardine.
by JAMES TWEEDIE
The baroque funeral cortège of the deceased 10-foot long oily fish wound its way through the narrow streets of the regional capital, accompanied by a phalanx of priests and hordes of lady mourners – most of them men.
One of the more unusual events of carnival calendar, the Sardine's Funeral symbolises the death of the past and the birth of the future.
The sardine has special significance in Tenerife's capital Santa Cruz. Residents bear the derogatory moniker of chicharrero from the time when the town was home to poor fishing folk, who could only afford to eat the worst of their catch – a small species of sardine called a chicharro.
In keeping with the spirit of irreverent political satire which pervades carnival, this year's funeral was turned into an impromptu protest against Santa Cruz council's controversial PGO by-law, which has place the upper floors of 30 per cent of the city's buildings 'fuera de ordenacíon' or outside of planning permission.
Campaigners call the PGO “illegal, irrational, illogical, corrupt and speculative,” alleging that it only benefits property developers close to the mayor and councillors.
The PGO was represented by a paper swordfish. Leaflets depicted the 'Pejo-O' sawing the top off an apartment building, along with leading proponents of the scheme caricatured as insultingly-named species of fish.

Sunday, February 14

Now for our younger viewers returns (by request) - War in the Foothills

Saturday, February 13

In Invictus, Clint Eastwood forgives the supporters of Apartheid.

The view of South African history from Santa Barbara, California
 Clint Eastwood rewriting history, photo from ReelMovieNews

The reasons why the western media has attacked, and will continue to attack Jacob Zuma, centre around the ridiculous identity politics of the soft left in Britain, and the centre right posing as "liberal" in the US. They have politics hollowed out of all socialism: lacking any coherent philosophy of social justice and brimming with empty-headed market oriented opportunism. The western media approved of Mandela's overly conciliatory beginnings after his release in 1990 and saw its reflection in the policies of Thabo Mbeki's government.
Mandela should speak out against Invictus' distortion of history and reject his over-flattering portrayal, one that reduces the whole of the liberation struggle of the ANC, from the time the ANC was founded in 1912, to the "Christ-like" actions of one individual.
History has plenty of people who made great sacrifices for the liberation of South Africa - people who did not survive the Apartheid regime: Albert lutuli, Bram Fischer, Chris Hani to name 3. There are many "saints" of the liberation movement in South Africa and of the broader liberation movement in Southern Africa.
Hollywood understands celebrity. It composts the the whole of South African struggle into the actions of Mandela. It casts him as a celebrity politician, shorn of all political meaning. It is no coincidence that Morgan Freeman. wanted to play Mandela. This is merely the pestilential vanity of a Hollywood actor, who, like Dorian Grey in reverse, wants to see himself reflected in the mirror of history.
The film is a travesty that turns Mandela into a veritable Jeeves, coming to the aid of the white community's Bertie Wooster and scheming successfully to avoid a "to do" in order to reconcile "senselessly" warring parties.
Invictus drops a few red herrings before it attempts to turn history into mush. It shows pictures of the rioting between Inkatha and the ANC supporters. It hints that the reason why the US and Boers opposed South Africans is merely because of the cold war, because they "mistakenly" classified Mandela as a communist and a terrorist.
Notice no other important ANC figures, including Zuma, are ever shown in this film. Invictus puts clear water between Mandela and the rest of the ANC. The executive committee of the ANC is shown as a vengeful young rabble in a barn faced down by a great statesman who tries to talk sense into them. This is far from the truth.
But there is something even more repulsive about this Hollywood spin on recent South African history. On behalf of the US and Europe, Hollywood decides that it forgives the white South Africans for Apartheid and uses the figure of Mandela to do so.
Forgiveness is the perrogative of the victims of Apartheid not of its supporters. The US supported Apartheid. While black people were swinging from southern trees in the South Gerard Ludi, in the pay of Boss and (they say) the CIA, betrayed many of the leaders of activists of the ANC into jail.
But then the US continued to support Apartheid. It supported it in the sixties and the seventies. Thatcher supported Apartheid and so did Reagan. The consumers of Hollywood history amongst us forget that the CIA, MI5 and MI6 were bugging ANC office in Penton Street in King's Cross and sharing the information with BOSS agents in the South African embassy.
Who the hell does Clint Eastwood think he is? On whose behalf does Clint Eastwood and Hollywood forgive the former supporters of Apartheid? Certainly not on behalf of the victims of Apartheid.
Back to Jacob Zuma. The "devil" to Mandela's "saint". Let's put to one side the fact that Jacob Zuma was locked up for 15 years on Robben Island, something the western media never mentions: on the 14th of February 1964, (46 years ago tomorrow) Jacob Zuma was jailed on Robben Island. He was released 15 years later in March 1979. Leave to one side the fact that he was working as the head of ANC intelligence for many years actively fighting for the liberation of South Africa while Mandela was still locked up.
Leave all that to one side and understand that Jacob Zuma saved the "Rainbow Nation" from being balkanised by getting Inkatha supporters to vote for the ANC in the early 1990s. Another key player was Mac Maharaj he intervened to stop the Bophuthatswana leader Lucas Mangope being restored by the Apartheid government. The actions of these two people were more important factors in preventing civil war and balkanisation than the fact that Mandela supported the Springboks, the symbol of apartheid, in the spirit of reconciliation.
What does Clint Eastwood know about South African politics anyway? The film is a simplistic, vacuous feel good movie that distorts history.
In any event all politicians from African countries that show a conciliatory attitude to settler populations are always lionised in the European and US press. Mandela is no exception. Why should he or we take seriously the adoration of governments and companies that once supported Apartheid South Africa and vetoed or abstained from approving every sanction proposed against Apartheid South Africa in the UN.
These are the same people who lionise Mandela at the expense of Zuma, the loyal former supporters of the Apartheid government that lasted from 1948 to 1990.
If you take these people seriously it proves you have either no historical memory or you have received a historical lobotomy. You are probably the kind of person who got high at Live Aid and thought you were making poverty history by buying a cup of fair trade Ghanaian chocolate produced by child labour.
Kenyatta was a hero of the British for allowing business to carry on as usual after independence in Kenya. Kenyatta was said to have made a deal in Jail with the British before, in a similar fashion, he was released to general acclaim. The independence fighters, the Mao Mao, were side lined just like the Umkhonto we Sizwe fighters were. Most seasoned ANC members were in terror that Mandela would do a deal like Kenyatta. In the end he didn't, he remained a hero, but he signed the IMF letter that committed South Africa to glacial social change and s liberal economic strategy.
Mandela and Trevor Manuel signed the secret deals with the IMF to commit South Africa to market oriented policies at the expense of reconstruction. What was needed was something along the lines of what happened after German reunification.
The rich white part of the country bejewelled with swimming pools and luxury homes should have taken the tax hit and contributed to the reconstruction of the rest of the country - contributed to righting the unequal and "separate development" of South Africa they had once propitiated and defended through terror, murder, torture and institutional prejudice.
The international corporates, and South African companies directly responsible for inequality during the time of Apartheid, instead of threatening the ANC government with the withdrawal of their support, should have been made to contribute to the reconstruction of the other, underdeveloped side of South Africa. They refused to do so point blank and held Mandela and the ANC to ransom and Mandela and the ANC caved in.
Instead, Mandela agreed to hold the status quo and Thabo Mbeki, who followed him into power, continued with extreme market oriented policies leaving most South Africans in dire poverty - unnecessarily. The IMF letter and MBEKI's GEAR strategy are two clear illustrations that the new government was in the pocket of the corporates and foreign powers.
The only mainstream politician who spoke out clearly against the market oriented policies that of Mandela and Thabo Mbeki was Jacob Zuma.
The ANC supported Zuma, the people supported Zuma and that is why he was elected president of South Africa.

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Sunday, February 7

VULGAR, PROFANE AND LEWD: MURGA, THE CANARIES' SPECTACLE OF SATIRE

SANTA CRUZ DE TENERIFE CARNIVAL, Saturday February 6 2010

Joint murga competition winners Los Mamelucos

THOUSANDS crowded into Santa Cruz' waterfront on Saturday for the final of the 50th annual carnival Murga contest.

by JAMES TWEEDIE

The murgas – a half-hour mini-opera with humorous and satirical themes sung to classical, stage-musical and popular tunes – are the most anticipated spectacle of the city's massive carnival.

The packed audience were standing on their wooden folding seats for much of the performance, regardless of which group they were rooting for.

The 12,000 tickets to the final at the open-air Recinto Portuario sold out in three hours on January 13 and were selling on the internet at up to a ten-fold mark-up.

Murgas have their origin in Cadiz in mainland Spain, where the contest still takes place every January. The art form spread to the Canaries, Uruguay and Argentina.

According to one participant, the great popularity of the Murgas goes back to the era of the fascist dictatorship of General Francisco Franco from 1939 to 1975.

During that period the carnival was banned, but the murgas were covertly acted out in the streets, singing things that the regime prohibited to be spoken of.

Since the murgas were legalised they have continued to sing about important social issues that matter to the people, and their popularity has only increased. Every year the Murgas try to innovate and surprise the public.

The other islands of the Canaries and Puerto de la Cruz on Tenerife's north coast have their own murgas, but the chicharreros of Santa Cruz hold their competition to be the highest expression of the art.

Los Diablos Locos took Alexandre Dumas' Three Musketeers as the inspiration for their outfits

Each of the 19 adult murgas and their junior counterparts in Santa Cruz has between 50 and 80 performers. Perhaps one in a hundred of the regional capital's 220,000 residents perform in the murga contest every year.

Most form the chorus who sing almost a cappella, accompanied by drummers and their own trumpets – made of plastic with kazoos attached.

The murgeros and murgeras – still segregated into male and female murgas at the adult level – wear fantastical costumes and make-up, mostly variations on traditional clown styles. The cross-dressing element of pantomime is seemingly obligatory.

Each murga writes and rehearses an introduction, four 'themes' or acts and a finale.

Two themes are performed in the heats and only the eight murgas who made it to the final get to perform their third and fourth acts.

But the real spice of the confection is the critica – the political satire.

Irreverent, vulgar, lewd, profane, scatological and completely politically incorrect, it is reminiscent of the the best traditions of British political caricature and satire from James Gillray in the 18th century to Steve Bell and Martin Rowson today.

But the murgas are such an entrenched and popular tradition that the great and the not-so-good must grin and bear it.

This years' targets were the usual litany of political problems, scandals and the politicians responsible.

The themes of political graft and neglect of public services while ordinary people suffer the effects of La Crisis ran through all the productions.

The hugely unpopular plan to build a rival port to Santa Cruz at Granadilla, the now-defeated Mamotreto development at the city's Las Teresitas public beach and the recent outrage over the PGO by-law – which places 30 per cent of the capital's homes and offices outside of planning permission – were common grist for the mill.

Santa Cruz mayor Miguel Zerolo and Canarian regional president Antonio Castro from the Canarian Coalition party, along with their allies the conservative People's Party's regional and local leaders José Manuel Soria and Ángel Llanos and the newspapers El Dia and Canarias 7 were lampooned.

Not even competition sponsors and Santa Cruz oil refinery owners CEPSA were spared ridicule.

During the three days of preliminary heats at the cavernous indoor Recinto Ferial and the final various topical events were dropped into the murgas, including Friday's barely-detectable earth tremor.

Ni Pico Ni Corto in their prize-winning astronaut costumes

Los Mamelucos (the childish or foolish ones) won the first prize for presentation with their fantasy sylvan spirit costumes.

Second place went to Ni Pico Ni Corto ('I neither peck nor cut' – meaning 'I'm harmless'), with their silver space-suits, with the head of their goose mascot dangling over their codpieces from their belt buckles.

Las Hechizadas (the bewitched) won third place with their more conservative clown costumes.

The first prize for interpretation was awarded to the Los Triqui-Traques (a nonsense-word meaning the noise made by a pair of clackers). Styling themselves the Triqui-Traque Philharmonic, they staged rapid costume, set and musical changes from 70's disco dudes to an orchestra to a ladies synchronised swimming team.

Second and third places went to Los Bambones and the operatically-named La Traviata. Only one women's murga, Clonicas (clones) made it to the final.

Following their performances the murgeros, still wearing their costumes and make-up, partied  with the crowd in the Recinto and the city streets.

The murgas are another pleasant surprise for those looking beyond Tenerife's stereotype of sun, sand, sea, and stitched-up politics.

Los Que Son Son dressed as medieval Scottish warriors, drawing the link between the flags of Tenerife and Scotland

Saturday, February 6

Potlako Leballo Poqo rising after Paarl riots

This is a key point in South African history that doesn't get enough attention from historians.



The action that precipitated the 90 day detention rule and the clampdown in South Africa by the Apartheid government was the Paarl rising. Tony Hall broke the story of the P.A.C. involvement in the riot, the assumption of Potlako Leballo to the leadership of the P.A.C. replacing Sobukwe and P.A.C. plans for an uprising.


The story appeared on the front page of the Star newspaper on March 25 1963 (while his wife Eve Hall was still in Pretoria jail). Subsequently Tony Hall was banned from publication after a court case followed in which he was required to reveal his sources but refused.


Tony Hall comments on how he got the story:


"I took the call asking for a reporter to go and interview Leballo at his invitation. I went - and came back with this huge scoop."


The Star


Johannesburg Monday March 25 1963


DRAMATIC CLAIMS BY P.A.C. LEADER


------------------


Poqo rising this year, he says


From a staff reporter (Tony Hall)


Maseru, Monday.


[Picture of Leballo and Zacarias Molete and the caption: Potlako "P.K." Leballo (left) who claims to have assumed the leadership of the P.A.C., photographed yesterday outside his Maseru offices with one of his Lieutenants, Zacharias Molete. In the background is the Maseru Cathedral]


Potlako ("P. K.") LEBALLO, leader of the banned Pan African Congress - found by justice Snyman to be the same organisation as Poqo - claims more than 150,000 members.


He says an uprising will be launched "this year - our revolutionary council is discussing the time and the manner in which positive action will be launched. It is imminent."


Leballo said in an interview in his Maseru office yesterday that Mr. Justice Snyman was correct in finding that the P.A.C. and Poqo were synonymous.
But there had never been an organisation called Poqo. The word had been part of an Africanist slogan since the 1950s, and had become the byword of the underground P.A.C. since 1961.
There are indications that Leballo, official deputy leader of the P.A.C. is assuming full control. He said "Sobukwe is in jail. He knows nothing about our plans and activities."


Banishment
___________


Leballo went to Basutoland after being banished to Zululand . He served a two-year jail term after Sharpville.
Leballo and his lieutenants spoke with assurance yesterday of the organisations size and militancy. He indicated that there had been internal differences and lack of control - "because some centres think the leadership has been talking too long, especially in localities where conditions are bad."
Some cell leaders had not been strong enough to control members.


1,000 cells
_________


The "P.A.C. Poqo" organisation is strongest in the Cape with 64,000 members. The Free State is the smallest with 12,000.
The organisation is divided into 1,000 strong cells split up into smaller groups.
The killings at Paarl and Bashee Bridge were carried out by "angry and provoked" cell groups - in the face of opposition from P.A.C. leaders.
He prevented similar outbreaks in Welcom and at Kentai, in the Transkei.
He will give the signal for the revolt. All groups will be told at the same hour to attain certain objectives by violence, but until then, political killings will not have been approved or directed by the P.A.C. leadership.
He directs activities from the office of the African Agency in Maseru, but headquarters are "right in Johannesburg where the police will never find them."
He makes trips into South Africa for consultations with local leaders. He was in Johannesburg last month.


Sabotage
________


Leballo denied the P.A.C. received financial support from outside, particularly from Ghana. He said: "Whites, Liberals or Communists, had nothing to do with the outbreaks in the Transkei. In all P.A.C. publications Liberalism, Communism and the policy of the African National Congress were attacked.
"Umkhonto we Sizwe" (Spear of the Nation) and sabotage "have nothing to do with us. Those who embark on sabotage have not got the following for mass action. What are the use of these isolated explosions?"

Last -minute bid to avert Paarl riot - Leballo


From a staff reporter


THE CHAIRMAN of the Western Cape region of the Pan-African Congress went to Paarl on the eve of the riot there last year in an attempt to stop the killings, said "P.K." Leballo, leader of the P.A.C., in an interview here yesterday.


Leballo said the mood of PAC elements before the Paarl massacre was so fierce that they killed their local vice-chairman who tried to restrain them.
The chairman of the Western Cape Region "could not prevail on the Paarl element, and he sent a telegram to e while I was abroad at the end of last year. I was already in Cairo and I only found the telegram when I returned to Dar-es-Salaam - too late.


DISTURBANCES


A student who was expelled from Wilberforce Institution after the recent disturbances came to see him in Maseru. He tried to restrain the boy from action, but was told that the temper at the school was "too high."
Leballo said he received a Transkei delegation who said they intended to avenge the sentence of death on the tribesmen who killed the headman. He opposed the plan, but received a telegram that the group would go over the chairman's head. That was just before Bashee Bridge
He recently had to restrain a group of blanketed "Russians" in Welcome from violent action.
Leballo said his deputies said the mood is now so fierce because "we have captured the youth. They are our greatest pillar."
They accepted the ban on the P.A.C. because they could work on a more militant basis and could protect public servants and teachers who were members.
Leballo said it was becoming increasingly difficult to control local groups.


WITCHCRAFT


Leballo denied that witchcraft was practiced in the P.A.C. - Poqo organisation.
"Most Africans have tribal markings or traces of them from their youth. The oath of allegiance is simply the P.A.C. oath which members have sworn from the first."
Intimidation is also against policy.
"The thing is that our membership is very sensitive to 'sell outs' and informers. We forbid enforced recruitment because that way we get unreliable elements."

URGENT NOTE IN SPEECH


By the political reporter


A NOTE OF URGENCY was apparent in ministerial speeches at the week-end following the interim report on the Paarl riots.
Dr. Verwoerd and three senior ministers stressed the perils facing the country.
Dr. Verwoerd said South Africa was experiencing difficulties because of her "numerous enemies."
The minister of foreign affairs, Mr. Louw, said the outlook was darker than people thought. He said the country was, in the fullest sense of the word involved in a cold war.


NATIONALISM


The minister of defence Mr. Fouche, said the country was not "panicky or terrified" but calm because it was prepared. The Citizen force would help the police to defend local areas.
The minister of finance, Dr. Donges, spoke of Black Nationalism threatening South Africa.
These speeches were made against a background of preparation for possible trouble.
Local authorities and police services are taking security measures and at one large educational institution men have been told to be ready to defend women's residences.
Home guards have been formed in many towns, including those in the Transkei.
[...]
There are signs of increase police activity.
Comm.. Gen P. H. Grobbelaar has siad the defence force is preparing to act speedily in colaboration with the police.
Commandos and Citizen Force units can be mobilised almost immediately to help the police in the small towns.

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